Digital cameras – Canon Printer Help Desk http://canonprinterhelpdesk.com/ Sun, 28 Nov 2021 11:46:43 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://canonprinterhelpdesk.com/wp-content/uploads/2021/06/icon-2021-06-29T185907.604.png Digital cameras – Canon Printer Help Desk http://canonprinterhelpdesk.com/ 32 32 If I didn’t already own a camera, this is the one I would buy on Cyber ​​Monday https://canonprinterhelpdesk.com/if-i-didnt-already-own-a-camera-this-is-the-one-i-would-buy-on-cyber-%e2%80%8b%e2%80%8bmonday/ Sun, 28 Nov 2021 01:21:25 +0000 https://canonprinterhelpdesk.com/if-i-didnt-already-own-a-camera-this-is-the-one-i-would-buy-on-cyber-%e2%80%8b%e2%80%8bmonday/ As someone who reviews cameras for a living, I’m constantly asked “Which camera should I buy?” By friends and family – especially with Cyber ​​Monday camera deals offering irresistible deals. However, one thing people rarely ask me is, “James, what camera you get? ”And that’s a really interesting question. Recommending a camera to someone else […]]]>

As someone who reviews cameras for a living, I’m constantly asked “Which camera should I buy?” By friends and family – especially with Cyber ​​Monday camera deals offering irresistible deals.

However, one thing people rarely ask me is, “James, what camera you get? ”And that’s a really interesting question. Recommending a camera to someone else is like recommending a car to someone else; what do you want to use it for, where do you want it? – take him to you, what would you like him to do… these are all personal questions, and your answers will be different from mine.


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Best Black Friday 2021 Camera Deals: Kodak PIXPRO & More Camera Savings Tracked By Deal Tomato https://canonprinterhelpdesk.com/best-black-friday-2021-camera-deals-kodak-pixpro-more-camera-savings-tracked-by-deal-tomato/ Thu, 25 Nov 2021 03:15:00 +0000 https://canonprinterhelpdesk.com/best-black-friday-2021-camera-deals-kodak-pixpro-more-camera-savings-tracked-by-deal-tomato/ Save on Kodak PIXPRO camera deals in the Black Friday sale, including the latest DSLR and mirrorless cameras and camcorder discounts Here’s a list of all the best camera deals for Black Friday 2021, including the best deals on camcorders, mirrorless and DSLR cameras, and security cameras. Buy the latest deals by clicking on the […]]]>

Save on Kodak PIXPRO camera deals in the Black Friday sale, including the latest DSLR and mirrorless cameras and camcorder discounts

Here’s a list of all the best camera deals for Black Friday 2021, including the best deals on camcorders, mirrorless and DSLR cameras, and security cameras. Buy the latest deals by clicking on the links below.

Best Camera Deals:

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The Digital Wound Measuring Devices Market is expected to reach a CAGR of 5.1% due to new methods, advanced technologies, leading company profiles, industry share and trend analysis up to in 2028 https://canonprinterhelpdesk.com/the-digital-wound-measuring-devices-market-is-expected-to-reach-a-cagr-of-5-1-due-to-new-methods-advanced-technologies-leading-company-profiles-industry-share-and-trend-analysis-up-to-in-2028/ Tue, 23 Nov 2021 07:38:51 +0000 https://canonprinterhelpdesk.com/the-digital-wound-measuring-devices-market-is-expected-to-reach-a-cagr-of-5-1-due-to-new-methods-advanced-technologies-leading-company-profiles-industry-share-and-trend-analysis-up-to-in-2028/ Overview Digital wound gauges are used to convert line plots into actual area measurements and calculate area changes as the wound heals. These devices are used to assess burns, traumatic wounds, cuts, diabetic foot ulcers and chronic wounds. The global digital wound measurement device market is valued at US $ 2,720.9 million by the end […]]]>

Overview

Digital wound gauges are used to convert line plots into actual area measurements and calculate area changes as the wound heals. These devices are used to assess burns, traumatic wounds, cuts, diabetic foot ulcers and chronic wounds. The global digital wound measurement device market is valued at US $ 2,720.9 million by the end of 2027.

Conductors

The high incidence of chronic wounds is expected to stimulate the growth of digital wound measurement device market during the forecast period. According to a study published in the Journals of Epidemiology in November 2018, Prevalence of chronic wounds in the general population: systematic review and meta-analysis of observational studies, pooled prevalence of chronic wounds of mixed etiology It is 2.21 per 1000 inhabitants , and the prevalence of chronic leg ulcers is estimated at 1.51 per 1000 population.

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Constraints

The shortage of skilled workers in emerging markets is expected to hamper the growth of the global digital wound measuring devices market. In addition, healthcare professionals in these countries prefer conventional devices such as rulers or adhesive tapes for measuring wounds due to their low cost compared to digital wound measuring devices.

Key points to remember

The Diabetic Ulcers Segment of Global Digital Wound Measuring Devices Market is valued at US $ 801.8 million in 2019 and is expected to reach US $ 1.203 million by 2027 with a 5.1% CAGR over the forecast period.

The increased incidence and prevalence of diabetes is expected to support the growth of the segment during the forecast period. In 2019, the hospital segment dominated the global digital wound measurement device market with a value share of 67.5%. The increase in healthcare infrastructure in developed and developing countries is expected to support the growth of the segment during the forecast period.

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Market trends

With the advent of digital cameras and smartphones, faster and more accurate measurements have become possible. However, as digital cameras and smartphones are introduced to digital wound measurement, issues such as transparency, accountability and privacy arise. Data analysis and predictive modeling have also become effective tools for numerical wound measurement. Results in actual clinical settings may differ from results described in published studies.

Data analysis and predictive modeling can provide retrospective observational analysis of miraculous results, as well as demographic and descriptive data.

Competitive landscape

Major companies contributing to the global digital wound management devices market include ARANZ Medical, Wound Zoom Inc., eKare Inc. and Woundworks BV.

Key developments

The main players in the market are focused on releasing new versions of the solution. In December 2019, ARANZ Medical released the latest version of its ARANZ Medical Silhouette software. This version includes advanced automatic boundary detection tools to reduce the time it takes to find scratches.

Large companies in the market are also focusing on conducting chronic wound prevention campaigns. In June 2019, WoundZoom celebrated Wound Care Awareness Week to deliver an important educational message on chronic wound prevention.

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Contents

  1. Research objectives and hypotheses
    • Research objectives
    • Hypotheses
    • Abbreviations
  2. Market Snapshot
    • Description of the report
      • Definition and scope of the market
    • Abstract
      • Market extract, by type of wound
      • Market extracts, by end user
      • Market extract, by region
      • Coherent Opportunity Map (COM)
  3. Analysis of market dynamics, regulations and trends
    • Market dynamics
      • Conductors
      • Constraints
      • Market opportunities
    • Impact analysis
    • Highlights
    • Product launch
    • PEST analysis
    • Regulatory scenario
    • Mergers and Acquisitions
  4. Global Digital Wound Measuring Devices Market, By Wound Type, 2019-2027, (USD Million)
    • introduction
      • Market share analysis, 2019 and 2027 (%)
      • Year-on-year growth analysis, 2017 – 2027
      • Segment trends
    • Diabetic ulcer
      • introduction
      • Market Size and Forecast, and Year-on-Year Growth, 2016-2027, (USD Million)
        • Wall / Floor Mounted Intraoral X-ray Systems
        • Portable intraoral radiography systems
    • Chronic injuries
      • introduction
      • Market Size and Forecast, and Year-on-Year Growth, 2016-2027, (USD Million)
    • Burns
      • introduction
      • Market Size and Forecast, and Year-on-Year Growth, 2016-2027, (USD Million)
    • incisional
      • introduction
      • Market Size and Forecast, and Year-on-Year Growth, 2016-2027, (USD Million)
    • Traumatic
      • introduction
      • Market Size and Forecast, and Year-on-Year Growth, 2016-2027, (USD Million)
  5. Global Digital Wound Measurement Devices Market, By End User, 2019-2027 (USD Million)
    • Hospitals
      • introduction
      • Market Size and Forecast, and Year-on-Year Growth, 2016-2027, (USD Million)
    • Clinics
      • introduction
      • Market Size and Forecast, and Year-on-Year Growth, 2016-2027, (USD Million)

See the press release

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That’s why I switched from a Fujifilm X-T3 to a Sony A7 III https://canonprinterhelpdesk.com/thats-why-i-switched-from-a-fujifilm-x-t3-to-a-sony-a7-iii/ Sat, 20 Nov 2021 04:20:31 +0000 https://canonprinterhelpdesk.com/thats-why-i-switched-from-a-fujifilm-x-t3-to-a-sony-a7-iii/ Choosing the right camera system for you is never easy. With so many options and each brand offering something slightly different, it can be a bit of a minefield. However, if you have been shooting with a particular system for years, choosing to switch to a new mount is even more difficult, especially when you […]]]>

Choosing the right camera system for you is never easy. With so many options and each brand offering something slightly different, it can be a bit of a minefield. However, if you have been shooting with a particular system for years, choosing to switch to a new mount is even more difficult, especially when you already know and love the system you are using.

I recently traded in my entire Fujifilm kit and upgraded to a Sony A7 III. I absolutely loved my Fujifilm X-T3, but had been in a few situations where the low light capabilities just didn’t cut it. When I first started out in photography I used a Nikon D750 which was amazing in low light but the focus system kept failing me.


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Nikon Launches NIKKOR Z 28mm f / 2.8 for the Nikon Z Mount System | national news https://canonprinterhelpdesk.com/nikon-launches-nikkor-z-28mm-f-2-8-for-the-nikon-z-mount-system-national-news/ Thu, 18 Nov 2021 15:16:00 +0000 https://canonprinterhelpdesk.com/nikon-launches-nikkor-z-28mm-f-2-8-for-the-nikon-z-mount-system-national-news/ MELVILLE, NY, November 18, 2021 / PRNewswire / – Today, Nikon Inc. announced the launch of the NIKKOR Z 28mm f / 2.8, a compact and lightweight prime lens for Nikon Z-series cameras. This fast-aperture wide-angle lens is small enough to carry anywhere and is ideal for capturing everyday snapshots, group portraits, landscapes, cityscapes and […]]]>

MELVILLE, NY, November 18, 2021 / PRNewswire / – Today, Nikon Inc. announced the launch of the NIKKOR Z 28mm f / 2.8, a compact and lightweight prime lens for Nikon Z-series cameras. This fast-aperture wide-angle lens is small enough to carry anywhere and is ideal for capturing everyday snapshots, group portraits, landscapes, cityscapes and more.

With an overall length of approximately 1.7 inches (43mm) and a weight of approximately 5.46oz (155g), this lens is the smallest and lightest1 among NIKKOR Z fixed focal length lenses. The NIKKOR Z 28mm f / 2.8 is also an excellent lens for close-up photography, with a minimum focus distance of just 0.63 feet (0.19 m), making it easy to capture detailed photos and videos of food, crafts, fashion, and more. Because it is also extremely compact, affordable and versatile, this new lens will appeal to both full-frame and DX-format Nikon Z-series mirrorless users.

Main features of the NIKKOR Z 28mm f / 2.8:

  • The smallest and lightest NIKKOR Z main lens to date, with a length of approx. 1.7 inches (43 mm) and weight of approx. 5.46 ounces (155 g).
  • The fast f / 2.8 maximum aperture allows for shallow depth of field with pleasant bokeh as well as outstanding low-light capability, even during handheld shooting.
  • When mounted on a DX-format camera, such as the Nikon Z fc or Z 50, the focal length becomes a natural 42mm (35mm equivalent [135] format).
  • A minimum focus distance of approximately 0.63 feet (0.19 m) allows users to get close to their subjects for dynamic photography.
  • Adopting a multiple focus system results in natural rendering over the entire shooting range, as well as fast and precise AF control, while maintaining a smaller body size.
  • Designed with dust and drip resistance performance in mind2 so that it can be taken anywhere with greater confidence.
  • Functions such as aperture and exposure compensation can be assigned to the control ring.
  • Developed considering video recording with extremely quiet operation, effective focus breathing compensation and stable exposure.
  • The lens differs aesthetically from the previously announced NIKKOR Z 28mm f / 2.8 SE lens by featuring a modern black finish.

Pricing and availability

The NIKKOR Z 28mm f / 2.8 lens will be available in december 2021 for a suggested retail price (MSRP) of $ 299.95 *. For more information on the latest Nikon products, including other NIKKOR Z lenses and the entire Z series camera collection, please visit nikonusa.com.

About Nikon

Nikon Inc. is a world leader in digital imaging, precision optics, and photo and video capture technologies; globally recognized for setting new standards in product design and performance for an award-winning line of equipment for visual storytelling and content creation. Nikon Inc. distributes consumer and professional Z-series mirrorless cameras, digital SLR cameras, a wide range of NIKKOR and NIKKOR Z lenses, flashes and system accessories, Nikon COOLPIX® compact digital cameras and Nikon software products. For more information call (800) NIKON-US or visit www.nikonusa.com, which connects all levels of photographers and visual storytellers with the web’s most comprehensive learning and sharing communities. Connect with Nikon on Facebook, Twitter, Youtube, Instagram, Vimeo and Flickr.

The appearance of the product may differ from the photo above.

1. Among the main NIKKOR Z lenses for mirrorless interchangeable lens cameras, available from November 17, 2021.

2. Perfect dust and drop resistance is not guaranteed in all situations or under all conditions.

Specifications, equipment and release dates are subject to change without notice or obligation on the part of the manufacturer.

* SRP (Suggested Retail Price) shown as a suggestion only. Actual prices are set by the dealers and are subject to change at any time.

View original content to download multimedia:https://www.prnewswire.com/news-releases/nikon-releases-the-nikkor-z-28mm-f2-8-for-the-nikon-z-mount-system-301428244.html

SOURCE Nikon Inc.



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On a mission to inspire military veterans >> Scuttlebutt Sailing News https://canonprinterhelpdesk.com/on-a-mission-to-inspire-military-veterans-scuttlebutt-sailing-news/ Tue, 16 Nov 2021 23:38:23 +0000 https://canonprinterhelpdesk.com/on-a-mission-to-inspire-military-veterans-scuttlebutt-sailing-news/ Navy veteran Taylor Grieger left Pensacola, Florida for Cape Horn in September 2017 on a 36-foot sloop he bought for $ 20,000 and repaired by following video tutorials on YouTube. The captain and his mate, Stephen J. O’Shea, a far more accomplished writer than a sailor, were ready to document their 10,000 nautical mile voyage […]]]>

Navy veteran Taylor Grieger left Pensacola, Florida for Cape Horn in September 2017 on a 36-foot sloop he bought for $ 20,000 and repaired by following video tutorials on YouTube.

The captain and his mate, Stephen J. O’Shea, a far more accomplished writer than a sailor, were ready to document their 10,000 nautical mile voyage with digital cameras, drones and an Instagram account cheekily named @skeletoncrewsailing. They were intended to inspire veterans struggling with PTSD, to help prevent suicides among them, and to raise awareness of these issues.

But Grieger and O’Shea weren’t prepared for the capricious weather, mechanical breakdowns, emotional storms – including a drunken brawl – or money issues that together nearly scuttled both their sloop, named “The Ole Lady”, and their mission.

And none of the young Texans could have foreseen how a team of film professionals from Philadelphia would help them complete the journey and present their story in a touching new documentary, Hell or high seas.

“My biggest thing about this movie… and Stephen and I talked about it a lot… was to be real,” said Grieger, 29, whose description of his suicide attempt is one of the most powerful moments in the film. movie. “If we were to do anything to reach the veterans, it would have to be unrestricted. It was the goal. “

Lasting 90 minutes, Hell or High Seas follows The Ole Lady through the Gulf of Mexico, the Panama Canal, and along the Pacific coast of South America. It offers a visceral sense of what it’s like to inhabit and navigate a tiny, fragile craft for weeks on end through an aquatic world that can be beautiful but can turn beastly with little warning.

The film’s scenic stretches and the occasional footage at the edge of your seat are punctuated by a number of surprisingly personal conversations about the challenges of the business and the veterans who have suffered unseen and unheard of suffering. Full report

Here’s the movie trailer:


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Global Digital Camera & Camcorder Market 2021-2026 Growth Outlook and Major Industry Players Canon, Sony, JVC, Panasonic, Arri – LSMedia https://canonprinterhelpdesk.com/global-digital-camera-camcorder-market-2021-2026-growth-outlook-and-major-industry-players-canon-sony-jvc-panasonic-arri-lsmedia/ https://canonprinterhelpdesk.com/global-digital-camera-camcorder-market-2021-2026-growth-outlook-and-major-industry-players-canon-sony-jvc-panasonic-arri-lsmedia/#respond Fri, 12 Nov 2021 06:09:52 +0000 https://canonprinterhelpdesk.com/global-digital-camera-camcorder-market-2021-2026-growth-outlook-and-major-industry-players-canon-sony-jvc-panasonic-arri-lsmedia/ The latest research study on Global Digital Cameras & Camcorders Market 2021 by Manufacturers, Regions, Type and Application, Forecast to 2026 added by MarketQuest.biz helps to understand the complete market configuration. The report focuses on the size and framework of market sectors to understand the existing structure of several industries. The challenges faced by industries […]]]>

The latest research study on Global Digital Cameras & Camcorders Market 2021 by Manufacturers, Regions, Type and Application, Forecast to 2026 added by MarketQuest.biz helps to understand the complete market configuration. The report focuses on the size and framework of market sectors to understand the existing structure of several industries. The challenges faced by industries and the approaches taken by them to overcome these threats were included. This research report is useful for both established firms and start-ups alike in the global Digital Cameras & Camcorders market. The researchers of this report provide a detailed survey of historical records, current statistics and future forecasts for the period 2021 to 2026.

The report develops comprehensive information regarding demand and supply analysis, participation of important industry players, and business province market share growth statistics. Market analysis is provided for the international markets which covers growth trends, competitive landscape analysis, and key regions development status. It represents an in-depth analysis of the vendor landscape, offering a complete picture of the current and future competitive situation of the global Digital Cameras and Camcorders Market. Most of the information is illustrated by tables, charts and practical figures, showing the state of the particular company on the global and regional phases. It emphasizes the latest trends, growth, and new opportunities to present an inclusive view of the global Digital Cameras & Camcorders Market.

REMARK: Our report highlights the main issues and dangers that businesses could face as a result of the unprecedented COVID-19 outbreak.

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Goal:

The primary objective of the global Digital Cameras & Camcorders Market report is to observe the particular market sizes of each country and segment over the past several years, and to determine the revenue forecast for the market. The report aims to cover and analyze statistics and information on market size, stocks and development factors. The objective of the report is to present a comprehensive assessment of the global Digital Cameras and Camcorders Market and contains contemplative insights, facts, historical data, industry validated market data, and projections with a set of hypotheses and appropriate methodologies. In addition, the market report also determines and analyzes emerging trends as well as key drivers, challenges and opportunities.

Some of the main competitors that are currently working in the market are:

  • Cannon
  • Sony
  • JVC
  • Panasonic
  • Arri
  • Black magic
  • RED
  • Ghost
  • Kinefinity
  • Nikon

The Major Market Types Covered In This Report Are:

The most widely used downstream market areas covered in this report are:

ACCESS TO THE FULL REPORT: https://www.marketquest.biz/report/76366/global-digital-cameras-and-camcorders-market-2021-by-manufacturers-regions-type-and-application-forecast-to-2026

On the basis of segmentation, the market report is composed of in-depth investigation of major regions, including

  • North America (United States, Canada and Mexico)
  • Europe (Germany, France, United Kingdom, Russia, Italy and rest of Europe)
  • Asia-Pacific (China, Japan, Korea, India, Southeast Asia and Australia)
  • South America (Brazil, Argentina, Colombia and the rest of South America)
  • Middle East and Africa (Saudi Arabia, United Arab Emirates, Egypt, South Africa and Rest of Middle East and Africa)

The report then illustrates supporting data related to major market players including product offerings, revenue, segmentation, and business overview. The global Digital Cameras and Camcorders market is also analyzed on the basis of various regions. The competitive conditions in the market are intensifying and the market is observing the emergence of local sellers entering the market.

Customization of the report:

This report can be customized to meet customer requirements. Please connect with our sales team ([email protected]), which will make sure you get a report that’s right for you. You can also contact our leaders at + 1-201-465-4211 to share your research needs.

Contact us
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Head of Business Development
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E-mail: [email protected]
The Web: www.marketquest.biz

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“Mandarine”, the realism and the double logic of digital cinema https://canonprinterhelpdesk.com/mandarine-the-realism-and-the-double-logic-of-digital-cinema/ https://canonprinterhelpdesk.com/mandarine-the-realism-and-the-double-logic-of-digital-cinema/#respond Wed, 10 Nov 2021 16:18:10 +0000 https://canonprinterhelpdesk.com/mandarine-the-realism-and-the-double-logic-of-digital-cinema/ Does digital cinema mean green screens and full CGI characters? Or a realistic shaking camera and more accessible cinema? (The answer is yes, and yes). Magnolia Pictures By Meg ShieldsPublished November 10, 2021 Welcome to The Queue – your daily distraction of curated video content from across the web. Today we are watching a video […]]]>

Does digital cinema mean green screens and full CGI characters? Or a realistic shaking camera and more accessible cinema? (The answer is yes, and yes).

Magnolia Pictures

By Meg ShieldsPublished November 10, 2021

Welcome to The Queue – your daily distraction of curated video content from across the web. Today we are watching a video essay on “Tangerine” by Sean Baker and the contradictory presence of digital cinema, both as an avenue of the fantastic and the realistic.


The relationship between cinema and digital technology is… complicated. And for those of us whose hearts are beating at the thought of the change signals and the grain of the film, the gut reaction is usually negative. Digital technology overwhelmingly dominates the way modern films are made and consumed. And there is an instinctive fear that digital technology may not necessarily change the medium for the better.

The proliferation of discrete digital adjustments calls into question the film’s relationship to material reality. Until digital technologies became ubiquitous, you could generally believe that what you saw on the screen pass in one form or another. There’s an argument to be made that some modern live-action movies have more in common with animation than photography.

But that’s not the whole story. Indeed, as the video essay below vividly points out, the relationship of digital cinema to “reality” goes both ways. If you look at the relationship of digital to cinema from a different perspective, you can appreciate the ways in which digital technologies have been able to capture a new, hitherto unexplored iteration of cinematic realism.

Digital cameras were able to capture longer takes, allowing scenes to unfold in real time without the inevitable imposition of editing. Smaller, cheaper cameras have also enabled a new generation of filmmakers to tell previously underrepresented stories, capturing on-site sets that have since been swallowed up by gentrification.

Shot on an iPhone, Sean Baker’s Mandarin proves that digital cinema is not always synonymous with anti-realism. The film tells the story of Sin-Dee (Kitana Kiki Rodriguez), a trans sex worker who tries to find out whether or not her boyfriend cheated on her while she was in jail. And it’s an invaluable example in a larger, more diplomatic conversation about what digital technology brings to cinema.

Watch “The Other Side of Digital Cinema: Mandarin and Digital Realism”:


Who made this?

This video essay on digital cinema and Mandarin is by Jordan schönig, holder of a doctorate. in Film and Media Studies from the University of Chicago. They are film studies teachers and do video essays on what else, cinema. You can subscribe to Schonig on YouTube here. And you can follow them on Twitter here.

More videos like this

Related subjects: Sean Baker, The Queue

Meg Shields is the humble farm boy of your dreams and a main contributor to Film School Rejects. She currently directs three columns at FSR: The Queue, How’d They Do That? and Horrorscope. She is also a curator for One Perfect Shot and a freelance writer for hire. Meg can be found shouting about John Boorman’s “Excalibur” on Twitter here: @TheWorstNun. (She she).



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Filming for us https://canonprinterhelpdesk.com/filming-for-us/ https://canonprinterhelpdesk.com/filming-for-us/#respond Sun, 07 Nov 2021 15:15:25 +0000 https://canonprinterhelpdesk.com/filming-for-us/ Fujifilm is a company both loved and hated by photographers. It is a question of both producing digital cameras appreciated by photographers (including me) while at the same time end of stocks of iconic 35mm films like Pro 400H, which makes me cry. And while the 35mm film totally has a moment right now (see […]]]>

Fujifilm is a company both loved and hated by photographers.

It is a question of both producing digital cameras appreciated by photographers (including me) while at the same time end of stocks of iconic 35mm films like Pro 400H, which makes me cry. And while the 35mm film totally has a moment right now (see Casey Neistat’s tweet below), I don’t think anyone would argue that the negative film is a big and growing business. But that doesn’t mean cinema is dead, it just means it’s evolving.

If you’ve attended a wedding in the past 10 years, you’ve probably seen one of the cameras below. It’s a Fujifilm Instax camera; instant film pack comes in, you take a photo, an image comes out. The camera itself is exactly what it should be; relatively inexpensive, super easy to use, and sturdy enough for events where people need to use it after a few margaritas.

But let’s face it, no one wants to lug around an Instax camera all the time. Many of us pay a parcel money to have great cameras in our phones, after all. But physical photographs are objectively much cooler than digital photographs, and that’s why Fuji has always had a line of Instax printers, like Instax SP-3 which prints on Instax Square film and the Instax Mini Link, which prints on adorable little Instax Mini film as the name suggests.

The latest entry in Fujifilm’s line of printers is the Instax Link Wide, and this printer aims to get BIG.

The object

Evan Rodgers / Entrance

I love printers, but they’re not the most attractive device you’ll find in a person’s home. This is not the case with the Instax Link Wide; its soft corners and subtly tessellated surface are pleasant to look at and to hold.

Much like Instax cameras, there are gloriously few ways to interact with the Instax Link Wide – you can load a film cartridge, unload a film cartridge, load it on the micro-USB port (boo, give- us USB-C), and press the big button to turn it on and off. These are all the things you can do with this printer, and it’s awesome.

A nice touch is the included stand, which allows you to prop the printer sideways or upwards. I like having it face up, so when you print it it appears like a little toaster. I like this.

The application

Some of the very few panels in the app.Evan Rodgers / Entrance

What I don’t like is Fujifilm’s app for the Instax Link Wide. First of all, Fujifilm’s apps are kind of a chaotic mess; Sometimes the company creates an app for a specific product, which this printer does, and sometimes the company has an app that works with multiple devices, like the picture sync app for their cameras. In all of these apps Fujifilm has extremely inconsistent visual language and if we’re being honest the apps are pretty buggy.

For people who want something simple, the Link Wide app is… okay. It helps you connect to the printer, and once connected, the interface is simple and easy to use. I really wish there were more controls for the pros, but as it is, it works pretty well.

On the home screen of the application, four options are displayed: “Simple Print”, “Editable Template Print”, “Collage Print” and “Sketch, Edit and Print” and yes, the latter is a nightmare of all caps and punctuation (I’m glad you noticed). Several of them mainly do the same thing; all of them except the “Simple Print” option allow you to add more elements to your print, such as more photos or graphics and text.

The prints

Evan Rodgers / Entrance

The printing process is quite simple: just connect to the printer, select a photo or make a collage and print. What is more difficult is to get Well impressions. Translating what you see on your phone screen into a flat sheet of chemical emulsion is a complicated process, and because Fujifilm targets regular consumers, the app is set up to hold your hand the entire way.

In press materials, Fujifilm touts a new mode called “Instax-Rich Mode”, which “features extra vivid colors”, and this is enabled by default. At first I bristled with this choice, but after printing a number of images side by side to compare the two modes, honestly, I would never print in natural mode.

A close cropping of the print. Honestly, much better than I expected.Evan Rodgers / Entrance

Fuji does a lot with this mode in order to help people get prints that look like law. And that’s not easy, because people will print images that have already been edited for the screen alongside images that haven’t been edited at all. In my experience, the way to get really nice prints is to feed the Link Wide app with unedited JPEGs. Rich mode will also do its best to restrict your edited footage, but in everything I’ve printed I’ve found it’s best to let Fuji take the wheel from the start.

Notice the changes in exposure and the greens.Evan Rodgers / Entrance

Take a good look at the display of tables and bottles.Evan Rodgers / Entrance

One thing I noticed in these prints is the aliasing and moiré. Although this is an 800 speed film, Instax Wide is quite large, so it should have a decent resolution (for film). But in the example below you can see some pretty severe moiré, and in my partner’s photo there is a bit of aliasing in his glasses. This could be low resolution on the part of the printer’s internal display, or a lousy scaling algorithm occurring in the Link Wide app. Either way, it detracts from what would otherwise be wonderful prints.

A rather bad example of moiré in the pattern of bricks.Evan Rodgers Entrance

Analog joy

Evan Rodgers / Entrance

At $ 149.95 without film, this printer is expensive. If you want an instant film printer, you actually have a lot of options between Fuji, Polaroid, Cannon, and even by Kodak offerings. But Fuji is the only company to offer a full line of proven instant cameras, films, and printers, all available just about anywhere.

This printer is awesome.

I’m disappointed with the aliasing and moiré issue, but I hope Fujifilm can at least alleviate it with a software update to the Link Wide app. I also think there is a lot to like about the Link Wide app that doesn’t necessarily appeal to me, like the collage and edit modes, but I’ve tried them and they work well.

Input may receive a portion of the sales if you purchase a product through a link in this article. We only include products that have been independently selected by the Input editorial team.

Overall, if you like the see of the Instax Wide image, regular consumers and professionals alike will be pleased with this small printer. Sure, you could spend a little more and get a good inkjet printer that can do quality prints, but honestly it’s just not the same. You can’t just give someone a naked 4×4 print, that’s just plain rude. This printer is awesome, and when you see your photo popping out of the top like a little toaster, you won’t think about the $ 150.


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Marvel’s “Eternals” review and director Scott Cooper talk about “Antlers” https://canonprinterhelpdesk.com/marvels-eternals-review-and-director-scott-cooper-talk-about-antlers/ https://canonprinterhelpdesk.com/marvels-eternals-review-and-director-scott-cooper-talk-about-antlers/#respond Fri, 05 Nov 2021 11:30:48 +0000 https://canonprinterhelpdesk.com/marvels-eternals-review-and-director-scott-cooper-talk-about-antlers/ Director Scott Cooper joins the series to discuss his first horror film, Drink, with Keri Russell and Jesse Plemons. We go into the conception of his creature and collaborate with a master like Guillermo del Toro, his storytelling approach, filming with digital cameras for the first time and more. by marvel Eternals is finally hitting […]]]>

Director Scott Cooper joins the series to discuss his first horror film, Drink, with Keri Russell and Jesse Plemons. We go into the conception of his creature and collaborate with a master like Guillermo del Toro, his storytelling approach, filming with digital cameras for the first time and more.

by marvel Eternals is finally hitting theaters this weekend. Stay on the show to hear our spoiler-free review of the film, as well as a spoiler-filled section on the film’s broader implications for the MCU as a whole.

Podcast timestamp (approximately only)

  • 00:03:14 – Weekly survey
  • 00:07:48 – Interview with Scott Cooper
  • 00:28:26 – Morbius Trailer
  • 00:40:00 – The more they fall Review
  • 00:45:51 – Bullfinch Review
  • 00:55:29 – Red Notice Review
  • 00:59:16 – Spencer Review
  • 01:06:45 – Marvel’s Eternals Spoiler-free review
  • 01:21:03 – Eternals Spoilers
  • 01:31:29 – Our favorite Idris Elba movies
  • 01:37:32 – End

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