Digital cameras – Canon Printer Help Desk http://canonprinterhelpdesk.com/ Thu, 12 May 2022 09:38:00 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://canonprinterhelpdesk.com/wp-content/uploads/2021/06/icon-2021-06-29T185907.604.png Digital cameras – Canon Printer Help Desk http://canonprinterhelpdesk.com/ 32 32 Global Digital Camera Market Report to 2026 – Manufacturers Focus on Adding Advanced Capabilities to Cameras – ResearchAndMarkets.com https://canonprinterhelpdesk.com/global-digital-camera-market-report-to-2026-manufacturers-focus-on-adding-advanced-capabilities-to-cameras-researchandmarkets-com/ Thu, 12 May 2022 09:38:00 +0000 https://canonprinterhelpdesk.com/global-digital-camera-market-report-to-2026-manufacturers-focus-on-adding-advanced-capabilities-to-cameras-researchandmarkets-com/ the “Digital Cameras – Global Market Trajectory and Analysis” report has been added to from ResearchAndMarkets.com offer. Amid the COVID-19 crisis, the global digital camera market estimated at 8.4 million units in 2020, is expected to shrink to 1.2 million units by 2026, posting a negative CAGR of -28.7% over the analysis period. Integrated cameras, […]]]>

the “Digital Cameras – Global Market Trajectory and Analysis” report has been added to from ResearchAndMarkets.com offer.

Amid the COVID-19 crisis, the global digital camera market estimated at 8.4 million units in 2020, is expected to shrink to 1.2 million units by 2026, posting a negative CAGR of -28.7% over the analysis period.

Integrated cameras, one of the segments analyzed in the report, is expected to register a CAGR of -32.6% and shrink to 226.5,000 units by the end of the analysis period. After an initial analysis of the business implications of the pandemic and the economic crisis it induces, the growth of the interchangeable camera segment is readjusted to a revised CAGR of -26.5% for the next 7-year period.

The US market is estimated at 1.1 million units in 2021, while China is expected to decrease to 218.7 thousand units by 2026

The digital camera market in the United States is estimated at 1.1 million units in 2021. China, the world’s second largest economy, is expected to see sales erode to 218.7 thousand units by 2026, after a negative CAGR of -26.9% over the analysis period. Other noteworthy geographic markets include Japan and Canada, each forecasting growth of -31.4% and -28.3% respectively over the analysis period. In Europe, Germany is expected to decline at around -30.4% CAGR.

The integrated camera segment will further shrink to 379.6,000 units by 2026

The global integrated camera segment market is estimated at 3.6 million units in 2020 and is expected to shrink to 379.6 thousand units by 2026, reflecting a negative CAGR of -32.6% over the period analysis. Europe is the largest regional market for the integrated camera segment, accounting for 31.6% of global sales in 2020. Africa is poised to record a -26.1% decline over the period. analysis, to be reduced to 4.7 thousand units by 2027.

Select competitors (total of 21 featured) –

  • Canon Inc.

  • Eastman Kodak Company

  • Fujifilm Holding Corporation

  • Koninklijke Philips NV

  • Nikon Company

  • Olympus Society

  • Panasonic Company

  • Samsung Group

  • Sony Company

  • Ricoh, Ltd.

Main topics covered:

I. METHODOLOGY

II. ABSTRACT

1. MARKET OVERVIEW

  • Overview of the influencer market

  • Global Market Trajectories

  • Impact of Covid-19 and a looming global recession

  • World economic growth projections (real GDP, % annual change) for 2019, 2020 and 2021

  • Business climate indicator in the euro area for the period June 2019 to May 2020

  • COVID-19 exacerbates decline in digital camera sales

  • DSC Worldwide Shipments in Millions of Units: January to October 2020

  • DIGITAL CAMERAS: A PRELUDE

  • Evolution of digital cameras

  • Digital cameras vs conventional cameras

  • Types of digital cameras

  • Mirrorless digital cameras

  • Single lens digital reflex camera (DSLR)

  • Point and shoot cameras

  • DSLT cameras

  • Bridge cameras (superzoom)

  • Line cameras

  • Regional market overview

  • Sony dominates the market

  • Digital cameras – Percentage of market share of the main global competitors in 2022 (E)

  • Market share by key players

  • Market share by type

  • Competitive Market Presence – Strong/Active/Niche/Trivial for Gamers Worldwide in 2022 (E)

  • Competition

  • Key Digital Camera Manufacturers Market Share by Sales Volume: 2019

  • Top Interchangeable Lens Camera Manufacturers Market Share by Sales Volume: 2019

  • Player Review

  • Recent market activity

2. FOCUS ON CERTAIN PLAYERS

3. MARKET TRENDS AND DRIVERS

  • The market goes beyond 6K

  • Mirrorless cameras are gaining an edge over DSLRs

  • Global Interchangeable Lens Camera Market: Percentage Share Breakdown by SLR and Mirrorless (2012 vs. 2015 vs. 2020)

  • Consumer buying pattern influences sales

  • Key Factors Contributing to Consumers Buying Digital Cameras

  • Growing demand for high resolution digital cameras

  • Smartphones have a negative impact on digital cameras

  • Global smartphone market in billions: 2016-2021

  • Smartphone penetration rate as a percentage of total population: 2016-2021

  • Growing interest in compact cameras

  • Companies come out with pocket cameras

  • Developments in the professional level digital cinema camera

  • Rise in demand for full-frame cameras

  • Development of distinct lenses

  • Global Interchangeable Camera Lens Market by Type: 2015 and 2020

  • Manufacturers focus on adding advanced features to cameras

  • Camera apps support growth

  • Virtual reality gives 360-degree cameras a boost

  • Manufacturers take advantage of improved and innovative software

  • High-speed cameras are gaining ground

  • New features support growth

  • Select available models with premium features

  • Improving image quality with means other than megapixels

  • Video with 4K Up Demand resolution

  • Manufacturers unveil digital cameras with interchangeable lenses

  • Computational techniques and artificial intelligence in photography

  • An overview of the main customer groups

  • Domestic consumption still has potential

  • Factors hindering the growth of the digital camera market

4. GLOBAL MARKET OUTLOOK

III. MARKET ANALYSIS

IV. COMPETITION

For more information on this report, visit https://www.researchandmarkets.com/r/o8rp8q

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Detailed “open source” news surveys are gaining momentum https://canonprinterhelpdesk.com/detailed-open-source-news-surveys-are-gaining-momentum/ Sun, 08 May 2022 09:00:19 +0000 https://canonprinterhelpdesk.com/detailed-open-source-news-surveys-are-gaining-momentum/ NEW YORK – One of the most striking pieces of Ukrainian war journalism featured intercepted radio transmissions of Russian soldiers reporting a routed invasion, their conversations even interrupted by a hacker literally hissing “Dixie”. It was the work of a New York Times investigative unit specializing in open-source reporting, using publicly available material like satellite […]]]>

NEW YORK – One of the most striking pieces of Ukrainian war journalism featured intercepted radio transmissions of Russian soldiers reporting a routed invasion, their conversations even interrupted by a hacker literally hissing “Dixie”.

It was the work of a New York Times investigative unit specializing in open-source reporting, using publicly available material like satellite images, cellphone or security camera recordings, geotagging and other Internet tools for telling stories.

The estate is in its infancy but is rapidly gaining momentum. The Washington Post announced last month that it was adding six people to its video forensics team, doubling its size. Last fall, the University of California, Berkeley became the first university to offer an investigative reporting class that focuses specifically on these techniques.

A d

Two video reports from open source teams — The Times’ “Day of wrath” reconstruction of the Capitol riot of January 6, 2021 and the Post’s look at how a 2020 race protest in Washington Place Lafayette was eliminated – won the duPont-Columbia Awards for Excellence in Digital and Broadcast Journalism.

Ukrainian radio transmissions, where soldiers complained of a lack of supplies and faulty equipment, were verified and enlivened with video and eyewitness accounts from the city where they operated.

At one point, what appears to be a Ukrainian intruder bursts in.

“Go home,” he advised in Russian. “Better to be a deserter than fertilizer.”

A d

The Times’ Visual Forensics Unit, founded in 2017 and now with 17 staff, “is absolutely one of the most exciting areas of growth we have,” said Joe Kahn, new editor-in-chief.

The work is meticulous. ‘Day of Rage’ is comprised mostly of videos shot by protesters themselves, in the heady days before they realized posting them online might get them in trouble, as well as material from law enforcement and journalists. It specifically describes how the attack started, who the ringleaders were, and how people were killed.

The video sleuth also contradicted an initial Pentagon story about a US drone strike who killed civilians in Afghanistan last year. “In looking to us for their protection, they have instead become one of the last victims of America’s longest war,” the report said.

“There’s just this overwhelming amount of evidence on the open web that if you know how to turn over the rocks and uncover this information, you can connect the dots between all these factoids to get to the indisputable truth around an event,” said said Malachy Browne, senior story producer on the Times team.

A d

“Day of Rage” was viewed nearly 7.3 million times on YouTube. A Post investigation into deaths during a 2021 Travis Scott concert in Houston has been viewed more than 2 million times, and its story on The last moments of George Floyd recorded nearly 6.5 million views.

The Post team is a result of efforts undertaken in 2019 to verify the authenticity of potentially newsworthy videos. There are many ways to remove fakes, including looking at shadows to determine if the apparent time of day in the video matches when the activity supposedly captured actually took place.

“The Post has seen the kind of impact this type of storytelling can have,” said Nadine Ajaka, head of its visual forensics team. “It’s another tool in our reporting mechanisms. It’s really nice because it’s transparent. It allows readers to understand what we know and what we don’t know, showing it clearly.

A d

Still new, open source storytelling is not bound by rules that govern the length or form of the story. A video can last a few minutes or, in the case of “Day of Rage”, 40 minutes. Work can be self-contained or embedded in text stories. These can be surveys or experiments; The Times used security and cellphone videos, as well as interviews, to tell the story of a Ukrainian building as the Russians invaded.

Leaders in the field cite the work of the website Storyful, which bills itself as a social media intelligence agency, and Bellingcat as pioneers. Bellingcat, an investigative news site, and its head, Eliot Higgins, are best known for covering the Syrian civil war and investigating alleged Russian involvement in the downing of a Malaysian Airlines flight in over Ukraine in 2014.

The Arab Spring of the early 2010s was another key moment. Many protests were coordinated in a digital space, and journalists who could navigate it had access to a world of information, said Alexa Koenig, executive director of the University of California Human Rights Center at Berkeley Law School. .

A d

The commercial availability of satellite images was also a benchmark. The Times used satellite images to quickly refute Russian claims that atrocities in Ukraine were staged.

Other technologies, including artificial intelligence, help journalists who are looking for information about how something happened when they couldn’t be on the scene. The Times, in 2018, worked with a London firm to artificially reconstruct a building in Syria which has helped to contradict official denials of the use of chemical weapons.

Similarly, The Associated Press built a 3D model of a theater in Mariupol bombed by the Russians and, combining it with video and interviews with survivors, produced a investigation report who concluded that more people died there than previously believed.

A d

AP also worked with the Koenig team on a investigation of terrorist tactics by the military leadership of Myanmar, and used the modeling for a review on the balance sheet of the war in a Gaza neighborhood. He works with PBS’s Frontline to bring together evidence of war crimes in Ukraine and is looking to expand its digital efforts. Experts cite the BBC “The Eye of Africa” as another notable effort in the field.

As efforts grow, Koenig said journalists need to ensure their stories drive the tools used, not the other way around. She now regularly hears from news outlets looking to set up their own investigative units and need her advice – or students. Berkeley graduate Haley Willis is part of the Times staff.

A d

It seems, Koenig said, that a major shift has happened over the past year.

Browne said the goal of her unit’s reporting is to create stories with impact that touch on larger truths. An investigation of a Palestinian doctor shot dead by an Israeli soldier in the Gaza Strip was as much about the conflict in general as his death, for example.

“We have similar mandates,” Ajaka said of the Post, “which is to help make sense of some of the most pressing news of the day.”

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

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Optical Low Pass Filter (OLPF) Market Size and Forecast https://canonprinterhelpdesk.com/optical-low-pass-filter-olpf-market-size-and-forecast/ Fri, 06 May 2022 08:12:40 +0000 https://canonprinterhelpdesk.com/optical-low-pass-filter-olpf-market-size-and-forecast/ New Jersey, United States – Comprehensive analyzes of the fastest growing companies Optical Low Pass Filter (OLPF) Market provide information that helps stakeholders identify opportunities and challenges. The 2022 markets could be another big year for the optical low pass filter (OLPF). This report provides an overview of the company’s activities and financial situation (a […]]]>

New Jersey, United States – Comprehensive analyzes of the fastest growing companies Optical Low Pass Filter (OLPF) Market provide information that helps stakeholders identify opportunities and challenges. The 2022 markets could be another big year for the optical low pass filter (OLPF). This report provides an overview of the company’s activities and financial situation (a company profile is required if you want to raise capital or attract investors), recent developments (mergers and acquisitions) and recent SWOT analyses. This report focuses on the Optical Low Pass Filter (OLPF) market over the assessment period 2029. The report also provides growth analysis of the Optical Low Pass Filter (OLPF) market which includes analysis at Porter’s five factors and supply chain analysis.

It describes the behavior of the industry. It also outlines a future direction that will help companies and other stakeholders make informed decisions that will ensure strong returns for years to come. The report provides a practical overview of the global market and its changing environment to help readers make informed decisions about market projects. This report focuses on growth opportunities that allow the market to expand its operations in existing markets.

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The report helps both major players and new entrants to analyze the market in depth. This helps key players determine their business strategy and set goals. The report provides key market insights including niche growth opportunities along with Optical Low Pass Filter (OLPF) market size, growth rate and forecast in key regions and countries.

The Optical Low Pass Filter (OLPF) report contains data based on rigorous studies in elementary and secondary schools using the best research practices. The report contains exhaustive information which will allow you to evaluate each segment of the Optical Low Pass Filter (OLPF) market. This report has been prepared considering various aspects of market research and analysis. It includes market size estimates, market dynamics, and company and market best practices. Entry marketing strategy, positioning, segmentation, competitive landscape and economic forecasts. Industry-specific technology solutions, roadmap analysis, alignment to key buying criteria, in-depth vendor product benchmarking

Key Players Covered in the Optical Low Pass Filter (OLPF) Market Research Report:

Crystal Optech, Lida Optical and Electronic, Sunex, Suzhou Qimeng Crystal Material

Global Optical Low Pass Filter (OLPF) Market Segmentation:

By Product Type, the market is primarily split into:

• Monolayer filter
• Two-layer filter
• Multi-layer filter

By application, this report covers the following segments:

• Cell phone cameras
• Car cameras
Digital cameras
• Other app

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Scope of the Optical Low Pass Filter (OLPF) Market Report

ATTRIBUTES DETAILS
ESTIMATED YEAR 2022
YEAR OF REFERENCE 2021
FORECAST YEAR 2029
HISTORICAL YEAR 2020
UNITY Value (million USD/billion)
SECTORS COVERED Types, applications, end users, and more.
REPORT COVER Revenue Forecast, Business Ranking, Competitive Landscape, Growth Factors and Trends
BY REGION North America, Europe, Asia-Pacific, Latin America, Middle East and Africa
CUSTOMIZATION SCOPE Free report customization (equivalent to up to 4 analyst business days) with purchase. Added or changed country, region and segment scope.

Geographic segment covered in the report:

The Optical Low Pass Filter (OLPF) report provides information on the market area, which is sub-divided into sub-regions and countries/regions. In addition to the market share in each country and sub-region, this chapter of this report also contains information on profit opportunities. This chapter of the report mentions the market share and growth rate of each region, country and sub-region over the estimated period.

• North America (USA and Canada)
• Europe (UK, Germany, France and rest of Europe)
• Asia-Pacific (China, Japan, India and the rest of the Asia-Pacific region)
• Latin America (Brazil, Mexico and rest of Latin America)
• Middle East and Africa (GCC and Rest of Middle East and Africa)

Key Questions Answered in this Optical Low Pass Filter (OLPF) Market Report

  1. How much revenue will the Optical Low Pass Filter (OLPF) market generate by the end of the forecast period?
  2. Which market segment is expected to have the maximum market share?
  3. What are the influencing factors and their impact on the Optical Low Pass Filter (OLPF) market?
  4. Which regions are currently contributing the maximum share of the global Optical Low Pass Filter (OLPF) market?
  5. Which indicators are likely to drive the Optical Low Pass Filter (OLPF) market?
  6. What are the key strategies of the major Optical Low Pass Filter (OLPF) market players to expand their geographical presence?
  7. What are the key advancements of the Optical Low Pass Filter (OLPF) market?
  8. How Regulatory Standards Affect the Optical Low Pass Filter (OLPF) Market?

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DigitalGlue Develops Pro B4 to RF Mount for RED V-RAPTOR, KOMODO; Wins two awards at the 2022 NAB Show https://canonprinterhelpdesk.com/digitalglue-develops-pro-b4-to-rf-mount-for-red-v-raptor-komodo-wins-two-awards-at-the-2022-nab-show/ Wed, 04 May 2022 21:18:00 +0000 https://canonprinterhelpdesk.com/digitalglue-develops-pro-b4-to-rf-mount-for-red-v-raptor-komodo-wins-two-awards-at-the-2022-nab-show/ DigitalGlue, in partnership with Breakthrough Photography, has released the first professional B4 to RF lens mount designed specifically for the multi-sensor formats of RED Digital Cinema’s V-RAPTOR and KOMODO cameras. Additionally, the company received two notable awards at the 2022 NAB show. Mount Pro B4 to RF The new MC-1 mount allows broadcasters to embrace […]]]>

DigitalGlue, in partnership with Breakthrough Photography, has released the first professional B4 to RF lens mount designed specifically for the multi-sensor formats of RED Digital Cinema’s V-RAPTOR and KOMODO cameras. Additionally, the company received two notable awards at the 2022 NAB show.

Mount Pro B4 to RF

The new MC-1 mount allows broadcasters to embrace the latest cinematic technologies while maximizing their investment in professional B4 lenses. Recognizing its impact on the media and entertainment industry, ProductionHUB has selected the MC-1 B4 to RF Media as the recipient of the 2022 NAB Show Achievement Award. DigitalGlue is an Official RED Digital Cinemas Systems Integrator and can provide a complete solution.

The invention of the B4 to RF mount saves DigitalGlue customers money by allowing them to purchase and use a RED camera without the need for new lenses which are the most expensive part of the cinema camera assembly. The MC-1 mount enables HD, 120 fps on the RED Komodo and UHD, 60 fps using a lens splitter while maintaining the zoom and aperture ranges of the lens. The RED Raptor enables HD 240 fps and UHD 120 fps through the use of an integrated lens splitter. Now broadcast organizations can achieve a cinematic look with over 17 stops of dynamic range, smooth highlight fades, and exceptional low-light performance.

Additionally, the RED Komodo brings its cinematic global shutter to the world of live streaming for the first time. This advancement gives broadcasters the ability to shoot live and recorded cinematic footage, maximizing their current investment in broadcast B4 lenses with a single camera. The B4 mount will also allow video teams to extend their overall investment in the RED Digital Cinema ecosystem by allowing them to use their existing RF and PL lenses, extending the overall investment in the RED Digital Cinema ecosystem.

2022 NAB Show

DigitalGlue’s creative.space platform received the 2022 NAB Show Product of the Year award in the Global Storage category and the industry’s first B4 to RF mount, co-developed with Breakthrough Photography for cameras in RED digital cinema, won the ProductionHUB award. 2022 Excellence Award.

“We are honored to be recognized as innovators in media and entertainment with these two awards,” says Sean Busby, President of DigitalGlue. “We are not just another storage vendor, and the recognition received throughout the show reinforces that the industry is ready for what we believe will be the new future of video storage.”

The NAB Show Product of the Year award winners were selected by a panel of industry experts in 15 categories and announced during a live awards ceremony at the NAB Show on April 26. creative.space is the first of its kind on-premises managed storage platform offered as an all-inclusive service, bundling next-generation hardware, comprehensive software, and support with proactive monitoring into one monthly or annual price. Designed specifically for creatives, managed storage eliminates the need for advanced technical knowledge. Built-in LDAP user authentication, FTP, mDNS and VPN servers are controlled through a simple user interface that effectively transforms every creative.space system into an all-in-one data center, allowing creative teams to collaborate seamlessly with a single turnkey solution.

“The 2022 NAB Show Product of the Year Awards recognize innovative breakthroughs that will change the way the media and entertainment industry creates, connects and capitalizes on content,” says NAB Executive Vice President of Global Connections and Events Chris Brown. “This year’s winners can help storytellers at all stages of the content lifecycle meet the challenges of today and tomorrow and revolutionize the content industry.”

The ProductionHUB Excellence Awards recognize outstanding technology innovation and practice. The winners are pioneers of technological growth, products that help streamline workflows for film and video production, as well as advance the art of cinematography. The invention of the B4 to RF mount saves DigitalGlue customers money by allowing them to purchase and use a RED camera without the need for new lenses which are the most expensive part of the cinema camera assembly. This advancement gives broadcasters the ability to shoot live and recorded cinematic footage, maximizing their current investment in broadcast B4 lenses with a single camera. The B4 mount will also allow video teams to extend their overall investment in the RED Digital Cinema ecosystem by allowing them to use their existing RF and PL lenses, extending the overall investment in the RED Digital Cinema ecosystem. DigitalGlue is an official RED Digital Cinemas system integrator and can provide a complete solution.

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Meta’s VR headset will use cameras to blend virtual with reality: report https://canonprinterhelpdesk.com/metas-vr-headset-will-use-cameras-to-blend-virtual-with-reality-report/ Mon, 02 May 2022 20:35:29 +0000 https://canonprinterhelpdesk.com/metas-vr-headset-will-use-cameras-to-blend-virtual-with-reality-report/ Meta’s investment in virtual and augmented realities (VR and AR) is growing, and a new report says the company plans to release four headsets over the next two years. According to Information, Meta will launch its high-end virtual reality headset later this year. Dubbed Project Cambria, the headset is now described as something akin to […]]]>

Meta’s investment in virtual and augmented realities (VR and AR) is growing, and a new report says the company plans to release four headsets over the next two years.

According to Information, Meta will launch its high-end virtual reality headset later this year. Dubbed Project Cambria, the headset is now described as something akin to a “facebook laptop” and will sport similar specs to a Google Chromebook, but will be powered by an in-house operating system based on Android.

Engadget reports that even if Meta positions Cambria as a device that can be used for the future of work, or whatever vision future CEO Mark Zuckerberg thinks it is to come, it might not be able to run typical PC desktop applications. As a result, its usefulness for actual work would be seriously crippled.

Cambria’s hardware looks promising, though. The two screens – one for each eye – are supposed to have high enough resolution to read small lines of text clearly, like what you’d see in a software engineer’s book reviewing lines of code. This is perhaps more where Meta is aiming for its idea of ​​“the future of work”.

Cambria’s other trick is similar to what’s been developed by others in the space like Canon: the integration of at least one front-facing camera that mixes virtual elements with a live feed of reality. Meta’s Cambria feature would be called “color passthrough” and is designed to support augmented and mixed reality experiences.

When Cambria was first announced last year, Meta confirmed that it would come with eye-tracking and facial recognition features, indicating more camera systems than just a single front-facing live camera. . Much of Meta’s advertising around the Metaverse features cartoonish avatars of users, and Cambria would be able to read wearers’ actual facial expressions and immediately translate them to these digital avatars.

Cambria is rumored to hit the market in September 2022 and will cost over $800 and be significantly heavier than the Oculus Quest 2 thanks to a larger battery and additional hardware Meta has equipped it with. Still, it’s far more affordable than Canon’s MREAL X1 headset which has many of the same features but is designed for business.

Zuckerberg has touted the metaverse as his company’s next major foray, but investors don’t seem convinced yet. As loudly as Zuckerberg says this virtual world he’s creating is going to be a success, Meta own investments slowed down in the region indicate that in private, he may reconsider.

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Arlo Go 2 is the cellular security camera you can stick anywhere! https://canonprinterhelpdesk.com/arlo-go-2-is-the-cellular-security-camera-you-can-stick-anywhere/ Sat, 30 Apr 2022 23:01:01 +0000 https://canonprinterhelpdesk.com/arlo-go-2-is-the-cellular-security-camera-you-can-stick-anywhere/ The Arlo Go 2 is a versatile battery-powered security camera that can be placed anywhere and stream video via cellular or Wi-Fi. Its arrival brings the UK up to speed with the US market, where the camera is already available in LTE form, and adds features like industry standard 1080P with the much rarer cellular […]]]>

The Arlo Go 2 is a versatile battery-powered security camera that can be placed anywhere and stream video via cellular or Wi-Fi. Its arrival brings the UK up to speed with the US market, where the camera is already available in LTE form, and adds features like industry standard 1080P with the much rarer cellular connectivity.

Specifically, the Arlo Go 2 offers 1080P, color night vision (via a built-in projector), local storage via microSD, and up to 6 months of battery on a cellular connection (or 12 on wi-fi). Users can remotely trigger a built-in 80db siren to deter potential intruders (or startle wildlife). The camera is also position-aware via GPS, so able to show its location on a map – a feature aimed at businesses with multiple installations but potentially useful for nature lovers (or the forgetful!)

(Image credit: Arlo)

Arlo tells DCW that the camera is designed to reduce user “pain points”, and because it’s completely wireless and can be installed out of wi-fi range, it can be set up in under five. minutes. It can be close to home, just using the cell phone as a backup, or miles away, protecting another location, like a trailer.

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Vazen releases 135mm T2.8 1.8X Anamorphic Lens for US$8,000 https://canonprinterhelpdesk.com/vazen-releases-135mm-t2-8-1-8x-anamorphic-lens-for-us8000/ Tue, 26 Apr 2022 19:07:09 +0000 https://canonprinterhelpdesk.com/vazen-releases-135mm-t2-8-1-8x-anamorphic-lens-for-us8000/ Vazen has unveiled a new 135mm T2.8 1.8x anamorphic lens for EF and PL full-frame mount cameras, completing a set of 3 lenses (50mm + 85mm + 135mm) of a full-frame anamorphic 1 range. .8x. The new Vazen 135mm T2.8 is designed to fully cover large format cinema cameras such as Red Monstro, Red V-Raptor, […]]]>

Vazen has unveiled a new 135mm T2.8 1.8x anamorphic lens for EF and PL full-frame mount cameras, completing a set of 3 lenses (50mm + 85mm + 135mm) of a full-frame anamorphic 1 range. .8x.

The new Vazen 135mm T2.8 is designed to fully cover large format cinema cameras such as Red Monstro, Red V-Raptor, Alexa LF, Kinefinity Mavo LF and Z-cam E2-F8. The lens is designed to deliver exceptional sharpness, even when operating wide aperture. The new 135mm features a relatively compact and lightweight design, it has the same focus and aperture position as the Vazen 85mm for easy lens changing on set.

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Night Vision Surveillance Camera Market Size, Outlook and Forecast https://canonprinterhelpdesk.com/night-vision-surveillance-camera-market-size-outlook-and-forecast/ Mon, 25 Apr 2022 05:56:06 +0000 https://canonprinterhelpdesk.com/night-vision-surveillance-camera-market-size-outlook-and-forecast/ New Jersey, United States – This night vision surveillance camera market The report has segmented the market based on application, product, geography, and other factors. This market report examines several key players and drivers impacting the market opportunities, challenges, risks and developments. It also performs competitive analysis of the industry which brings major advantages to […]]]>

New Jersey, United States – This night vision surveillance camera market The report has segmented the market based on application, product, geography, and other factors. This market report examines several key players and drivers impacting the market opportunities, challenges, risks and developments. It also performs competitive analysis of the industry which brings major advantages to the major players in the market. The growth of the market is highly influenced by the essential factors described in this Night Vision Surveillance Camera Market report. The global market in terms of revenue and size is going to be huge.

To better understand the market, it is very important to consider the opinions of market experts. This Night Vision Surveillance Camera Market report contains expert opinions. It is also divided into sections by type and sections by application. All types depict the production for the forecast period 2022-2029. Understanding all the sections will help you recognize the importance of the factors that effectively affect market growth. This market report provides insights on the major market players to know more about the strategies they are adopting in the market including new product launches, collaborations, mergers and acquisitions.

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This comprehensive Night Vision Surveillance Camera Market report helps to determine the gaps and issues faced by the dominant or new companies. It also provides information about the potential impact of the existing COVID-19 on the market scenario. The market report also covers all essential economic, financial and social factors relevant to the market and provides players with the data they need to make informed decisions. The Night Vision Surveillance Cameras Market report is a combination of actual insights, quantitative and qualitative assessments provided by market analysts, and inputs from industry players and experts across the value chain . This market report also examines the impact of qualitative market factors on the geography and market segments.

Key Players Mentioned in the Night Vision Surveillance Cameras Market Research Report:

BAE Systems, FLIR Systems, Axis Communications, Robert Bosch, Samsung Electronics, Hikvision Digital Technology, L-3 Communications, Pelco, Raytheon, Honeywell, Defender, Obzerv Technologies, NETGEAR, D-Link

Night Vision Surveillance Camera Market Segmentation:

By Product Type, the market is primarily split into:

• Wireless
• Cable

By application, this report covers the following segments:

• Interior
• Exterior

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Scope of the Night Vision Surveillance Cameras Market Report

ATTRIBUTES DETAILS
ESTIMATED YEAR 2022
YEAR OF REFERENCE 2021
FORECAST YEAR 2029
HISTORICAL YEAR 2020
UNITY Value (million USD/billion)
SECTORS COVERED Types, applications, end users, and more.
REPORT COVER Revenue Forecast, Business Ranking, Competitive Landscape, Growth Factors and Trends
BY REGION North America, Europe, Asia-Pacific, Latin America, Middle East and Africa
CUSTOMIZATION SCOPE Free report customization (equivalent to up to 4 analyst business days) with purchase. Added or changed country, region and segment scope.

Geographic segment covered in the report:

The Night Vision Surveillance Cameras report provides information on the market area, which is sub-divided into sub-regions and countries/regions. In addition to the market share in each country and sub-region, this chapter of this report also contains information on profit opportunities. This chapter of the report mentions the market share and growth rate of each region, country and sub-region over the estimated period.

• North America (USA and Canada)
• Europe (UK, Germany, France and rest of Europe)
• Asia-Pacific (China, Japan, India and the rest of the Asia-Pacific region)
• Latin America (Brazil, Mexico and rest of Latin America)
• Middle East and Africa (GCC and Rest of Middle East and Africa)

Answers to key questions in the report:

1. Who are the Top Five Night Vision Surveillance Camera Market Players?

2. How will the night vision surveillance camera market develop over the next five years?

3. Which product and application will occupy the lion’s share of the night vision surveillance camera market?

4. What are the Night Vision Surveillance Cameras Market Drivers and Restraints?

5. Which regional market will show the strongest growth?

6. What will be the CAGR and size of the Night Surveillance Cameras market throughout the forecast period?

For more information or query or customization before buying, visit @ https://www.verifiedmarketreports.com/product/night-vision-surveillance-cameras-market-size-and-forecast/

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ATRenew (NYSE:RERE) rating downgraded to sell at Zacks Investment Research https://canonprinterhelpdesk.com/atrenew-nyserere-rating-downgraded-to-sell-at-zacks-investment-research/ Sat, 23 Apr 2022 09:54:21 +0000 https://canonprinterhelpdesk.com/atrenew-nyserere-rating-downgraded-to-sell-at-zacks-investment-research/ To renew (NYSE: RERE – Get a rating) was downgraded by Zacks Investment Research from a “hold” rating to a “sell” rating in a research note published on Saturday, Zacks.com reports. According to Zacks, “AiHuiShou International Co. Ltd. provides a technology-driven second-hand consumer electronics trading and service platform primarily in China. The company’s brand includes […]]]>

To renew (NYSE: REREGet a rating) was downgraded by Zacks Investment Research from a “hold” rating to a “sell” rating in a research note published on Saturday, Zacks.com reports.

According to Zacks, “AiHuiShou International Co. Ltd. provides a technology-driven second-hand consumer electronics trading and service platform primarily in China. The company’s brand includes ATRenew. AiHuiShou International Co. Ltd. is based in SHANGHAI.”

Shares of ARenew stock opened at $2.64 on Friday. The company’s 50-day moving average price is $3.68 and its 200-day moving average price is $5.90. ATRenew has a 52-week low of $2.25 and a 52-week high of $18.49.

To renew (NYSE: REREGet a rating) last released its quarterly earnings data on Wednesday, March 9. The company reported ($0.03) earnings per share (EPS) for the quarter, beating analyst consensus estimates of ($0.44) by $0.41. On average, equity research analysts expect ATRenew to post earnings per share of -9.24 for the current fiscal year.

A number of hedge funds have recently increased or reduced their holdings in the stock. Citadel Advisors LLC acquired a new stake in ATRenew during Q3 valued at approximately $1,967,000. Bank of America Corp DE acquired a new stake in ATRenew during Q2 valued at approximately $1,048,000. Cubist Systematic Strategies LLC acquired a new stake in ATRenew during Q3 valued at approximately $322,000. Finally, Morgan Stanley acquired a new stake in ATRenew during Q3 valued at approximately $222,000. Institutional investors hold 11.46% of the company’s shares.

About ATRenew (Get a rating)

AiHuiShou International Co Ltd., through its subsidiaries, operates a used consumer electronics trading and service platform under the ATRenew brand in the People’s Republic of China. It mainly sells mobile phones, laptops, tablets, digital cameras, luxury goods, household products and books through its online platforms and offline stores, and provides services to third-party merchants for sell the products through its platforms.

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The redesign of the Google Photos Library tab has been delayed and it will change again before it arrives https://canonprinterhelpdesk.com/the-redesign-of-the-google-photos-library-tab-has-been-delayed-and-it-will-change-again-before-it-arrives/ Thu, 21 Apr 2022 10:49:00 +0000 https://canonprinterhelpdesk.com/the-redesign-of-the-google-photos-library-tab-has-been-delayed-and-it-will-change-again-before-it-arrives/ Google makes changes from what it originally announced Google announced an upcoming redesign of its Photos app in March, but the upgrade never made it to Android phones. The company has now confirmed 9to5Google that the update has been delayed and that there will be “a few more changes” before it rolls out. Google originally […]]]>

Google makes changes from what it originally announced


google-photos-hero

Google announced an upcoming redesign of its Photos app in March, but the upgrade never made it to Android phones. The company has now confirmed 9to5Google that the update has been delayed and that there will be “a few more changes” before it rolls out. Google originally announced that the update would be rolling out “in the coming weeks” after its March 22 announcement, but the feature never landed. We don’t know when it will arrive now or how it will change from what was originally revealed.

The update has been set to significantly redesign the Library tab with a grid of albums welcoming you as you enter this menu. This meant you’d see your favorites first, the phone’s camera roll, and then a variety of other albums. To dig into your photos, you could have used various bullets at the top of the grid to filter, including options like On Device or Shared Albums.

ANDROIDPOLICE VIDEO OF THE DAY

The options for Favorites, Utilities, Archives, and Trash have also been moved to a list after the grid view in this tab, which has made these a little harder to find as they are currently in top of the library view. It also introduced a new option in this list to import physical and digital photos and videos into Google’s service. Pressing this button will bring you to a page designed to help you transfer photos from digital cameras or other cloud storage services.

It’s currently unclear what Google plans to change before rolling out the update or when it will arrive. It’s also unclear what happened here, but Google may have heard user feedback and decided to change a few things before pushing the changes to Android phones. Oddly, the update started rolling out to iPhone and iPad users, but it was later rolled back, so it’s not available right now.

As part of the announcement, a redesigned Sharing tab has also been revealed. According to Google, this feature will continue to roll out over the “coming weeks” with an upcoming iOS update. Changes include a locked folder as well as an easier-to-analyze list of sections that starts with Partner Sharing and is followed by Albums, Conversations, and Shared Links.


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