Digital cameras – Canon Printer Help Desk http://canonprinterhelpdesk.com/ Fri, 16 Jul 2021 20:46:58 +0000 en-US hourly 1 https://wordpress.org/?v=5.7.2 http://canonprinterhelpdesk.com/wp-content/uploads/2021/06/icon-2021-06-29T185907.604.png Digital cameras – Canon Printer Help Desk http://canonprinterhelpdesk.com/ 32 32 Lantern Strike (High Loneliness) – The Brooklyn Rail http://canonprinterhelpdesk.com/lantern-strike-high-loneliness-the-brooklyn-rail/ http://canonprinterhelpdesk.com/lantern-strike-high-loneliness-the-brooklyn-rail/#respond Fri, 16 Jul 2021 20:19:37 +0000 http://canonprinterhelpdesk.com/lantern-strike-high-loneliness-the-brooklyn-rail/ In sight 47 channelsJune 25 – July 30, 2021new York Cinema stories tend to follow a chronology of technical and mechanical innovation. Recognizing the precursors of cinema, or proto-cinema, historians evoke the first shadow puppets, magic lantern slide projectors, and the first examples of photography capturing movement over time. In Lantern strike (strong loneliness), his […]]]>

In sight

47 channels
June 25 – July 30, 2021
new York

Cinema stories tend to follow a chronology of technical and mechanical innovation. Recognizing the precursors of cinema, or proto-cinema, historians evoke the first shadow puppets, magic lantern slide projectors, and the first examples of photography capturing movement over time.

In Lantern strike (strong loneliness), his second solo exhibition at 47 Canal, Cici Wu presents nine sculptures, four drawings and a video, all dated 2021, which invite us to broaden our understanding of proto-cinema by letting light, perception and philosophy lead the way. . Wu considers this re-imagining of primitive cinema to be “outside the existing framework of the history of cinema”. She strives to align proto-cinema with what she calls “light, optical experiments and the abstraction of images”.

This includes the timeless play of light and shadow from sources we sometimes take for granted, such as lamps or moonlight. We could also think about how people can interpret the same light differently. The light of fire, for example, can suggest a ceremony, a celebration, a light casting out darkness and a house, but it can also mean danger, destruction and war.

Lantern strike (strong loneliness) encourages living together, an Asian transnationalism and solidarity across borders despite national and international crises. Wu’s nine paper lanterns approximate specific local lantern designs, and their titles include the corresponding telephone country codes. Foreign object # 2 Shadow and penumbra (+84), referring to Vietnam, is a diamond-shaped blue lantern suspended from a stick that rests in a round glass vase on a low wooden plinth. Foreign object # 2 Umbra and Penumbra (prototype 63), meaning the Philippines, is a pink star-shaped lantern, also suspended from a stick with a wooden frame and a similar plinth supporting it. There is a rabbit for Hong Kong, a pagoda for Indonesia and a flower for Myanmar. Thailand is the tallest, while the South Korean lantern appears to be lying on its side. The lanterns come together like a glowing pre-colonial or post-colonial reunion, a coalition of neighbors, protesters, or a striking union.

By further exploring cinematic resonance, Wu incorporates digital cameras into his lanterns. They are inactive in the gallery, meaning images to come. Lanterns often have text written on them (names, wishes, or puzzles), but the messages of Wu’s Lanterns are also yet to be determined. The Lanterns look like a vigilant community – watching us and each other – perhaps wary due to the violent past, persistent colonialist attitudes, and an uncertain future. The digital camera, like the lantern, processes and produces light; at either end of a time spectrum, the camera and the lantern have a lot in common.

Wu’s drawings use ink, mineral pigments, and glue on Japanese paper to historicize his interest in these lights. Lantern Study 01 (Woman Admiring Plum Blossoms at Night) and Lantern Study 02 (Light a hanging lantern for the Obon festival) are based on Japanese woodcuts, the first from the 18th century by Suzuki Harunobu, the second from the 19th century by Shibata Zeshin. In Lantern Study 01, a woman uses a lantern at night to light up a flowering tree. In Lantern Study 02, another woman lights a hanging lantern as a signal to her ancestors. In both of these intimate scenarios, lanterns, like cameras, facilitate connection to other worlds.

TS (Celestial) is based on a section of the Tang Dynasty silk scroll, Eighty-seven celestial, sometimes, perhaps wrongly, attributed to the eighth-century Chinese painter Wu Daozi. The parchment depicts a procession of gods carrying decorated poles and wearing headdresses incorporating what appear to be ribbons, flowers, and gemstones. There are no lanterns in this witty drawing, but the scroll refers to cinema. A parchment unfolds in time like a movie.

Strong loneliness, a single channel, a nine-and-a-half-minute video, serves as the final scene for the exhibition. Wu made the video with one of the lantern cameras programmed to recognize shadows. Shadow detection is typically used to clean up images, sometimes in surveillance. Lantern with camera in hand, Wu traveled through New York. In the video recording, its paths look like a quick patchwork of layered lightmaps. Realistic details, like an aerial view of Manhattan and a demonstration, are fleeting, quickly overtaken by colorful shapes. We hear the children playing, but we don’t see them. Buildings become distorted and rounded, as if the lantern camera imposes a fisheye view. The city is no longer entirely architectural or human. Instead, it’s an exuberant mix of colors, lines, and sounds. The shapes change everywhere along the way.

In Wu’s work, the lanterns address spatial, historical, spiritual, and political realms. And with lanterns in hand, abstraction quickly follows. According to Chinese legend, an emperor once planned to burn down a hunting village after the hunter accidentally killed the emperor’s prized bird. Instead, the villagers worked together to light lanterns and set off fireworks, deceiving the Emperor’s soldiers, who stayed away because, from a distance, it looked like the village was already in. fire. In this legend, the interpretation or misinterpretation of the light saved the community. It has become the stuff of legend. Or, Wu might argue, it was an optical experience worthy of being considered a proto-cinema. It was a summons of light and a powerful and versatile symbolism.


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analog camera goes digital | Hackaday http://canonprinterhelpdesk.com/analog-camera-goes-digital-hackaday/ http://canonprinterhelpdesk.com/analog-camera-goes-digital-hackaday/#respond Fri, 16 Jul 2021 05:00:00 +0000 http://canonprinterhelpdesk.com/analog-camera-goes-digital-hackaday/ The digital camera revolution swept the world in the early 2000s, and aside from a few unique situations and a handful of artists still using film, almost everyone has gone digital since then. Unfortunately, this means that there are a lot of high quality film cameras in the world that collect dust, but with a […]]]>

The digital camera revolution swept the world in the early 2000s, and aside from a few unique situations and a handful of artists still using film, almost everyone has gone digital since then. Unfortunately, this means that there are a lot of high quality film cameras in the world that collect dust, but with a few equipment it is possible to convert them to digital and get more out of them.

[befinitiv]The latest project handles this conversion by swapping out a Raspberry Pi Zero where the film cartridge would otherwise be inserted into the camera. The Pi is attached to a 3D printed case that mimics the shape of the film, and also houses a Pi camera right in front of where the film would be on display. By removing the lens from the Pi camera, this new setup is able to take advantage of the analog camera optics instead and is able to capture relatively decent quality images.

There are some advantages to using this setup as well, which is that video can be streamed to this phone wirelessly to a computer through the Raspberry Pi. It’s a pretty cool build with great results for a price. remarkably low, and it would be fairly straightforward to interface the camera’s shutter and other control dials in the Raspberry Pi to further mimic the action of an old film camera. And if you like [befinitiv]plans to bring old tech into the modern world, be sure to take a look at its 80s DOS laptop that is capable of running a modern Linux installation.


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Somerville police hope to be more transparent; implement cameras mounted on weapons http://canonprinterhelpdesk.com/somerville-police-hope-to-be-more-transparent-implement-cameras-mounted-on-weapons/ http://canonprinterhelpdesk.com/somerville-police-hope-to-be-more-transparent-implement-cameras-mounted-on-weapons/#respond Thu, 15 Jul 2021 03:59:17 +0000 http://canonprinterhelpdesk.com/somerville-police-hope-to-be-more-transparent-implement-cameras-mounted-on-weapons/ SOMERVILLE, TX – The Somerville Police Department is working to be more transparent by implementing new gun-mounted cameras. I got to take a look at the new technology coming to the department and what it means for the community in regards to the officers who deploy their service weapon. Somerville Police Chief, Jake Sullivan’s goal […]]]>

SOMERVILLE, TX – The Somerville Police Department is working to be more transparent by implementing new gun-mounted cameras. I got to take a look at the new technology coming to the department and what it means for the community in regards to the officers who deploy their service weapon.

Somerville Police Chief, Jake Sullivan’s goal since taking office in October 2020 has been to regain the trust of the community. In its latest effort, the police department will deploy the FACT Duty Weapon Mounted Camera (WMC) on service firearms.

“This gives us the opportunity to present transparency for our community to another level to hold offenders accountable with additional video and an opportunity for our officers to be able to show how and why they made these decisions from a point of view. real, ”Sullivan said.

With the support of city council and the city manager’s office, Somerville PD is one of nine agencies in the state of Texas that will use these WMCs. This technology provides an unobstructed view of critical use-of-force events since the end of the firearm.

“The shootings are the single most important incident that takes place between law enforcement and the community, and we have seen time and time again that there was insufficient evidence of what happened during of a shootout. Why an officer had to shoot. This camera is specially designed to capture an officer involved in a shooting and show what really happened during that event, ”said Brian Hedeen, President and CEO of Viridian Weapon Technologies.

According to a Washington Post report, as of July 14, 2021, 957 people have been shot and killed by police in the past year.

With the increase in fire from officers involved here in the Brazos Valley, Sullivan says the department will be transparent and will release the gun camera video to the community to help them understand how and why the officer has made the decision in the incident of an officer involved by shooting.

“Once it’s sifted through, obviously during the investigative process, as you sometimes know, we keep this information temporarily, but ultimately it will be made public as soon as possible,” Sullivan said.

Somerville PD will continue to use body and dash cameras alongside its new WMC.

The highly advanced WMC uses a Full HD 1080p digital camera with a microphone and a 500 lumen tactical light that automatically activates whenever the officer takes the firearm out of its holster. Not only does this eliminate the risk of not manually turning on the camera during a critical event, it also prevents the agent from fumbling with bulky equipment.

“There are three main parts of this product, one, it will always light up as soon as an officer pulls out his firearm. The second item, there will never be obstructed view when in a shooting position like a body camera can have, and three, it is inexpensive and easy for them [police departments] to implement and manage, ”Hedeen said.

Viridian’s product is currently in use in 70 police departments across the country.


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The 5 best digital cameras under $ 300 http://canonprinterhelpdesk.com/the-5-best-digital-cameras-under-300/ http://canonprinterhelpdesk.com/the-5-best-digital-cameras-under-300/#respond Tue, 13 Jul 2021 21:04:30 +0000 http://canonprinterhelpdesk.com/the-5-best-digital-cameras-under-300/ It was the Photographic Stone Age when I took my first photos – Back then we filled our Kodak Instamatics with something called a “film cartridge” and we were confident that our photos “would fit.” reveal “. There were no dials, rings, zooms or shutter speeds. No adjustment of any kind. And seeing our photos […]]]>

It was the Photographic Stone Age when I took my first photos – Back then we filled our Kodak Instamatics with something called a “film cartridge” and we were confident that our photos “would fit.” reveal “. There were no dials, rings, zooms or shutter speeds. No adjustment of any kind. And seeing our photos – often ugly and discolored – meant a trip to the local pharmacy and a wait of several days.

Then I ran a successful photography studio for eighteen years and saw a lot of change. Today, for under $ 300, you can enjoy the quality and versatility the pros pay thousands of dollars for.

Canon PowerShot SX540 HS Digital Camera

Canon PowerShot SX540 HS Digital Camera with 50x Optical Zoom

Cannon

amazon.com

$ 299.00


My first “real” camera was a Canon. I used them during my days as a photojournalist and later in my studio.


Flashing back to 1934 when the “Kwanon” 35mm camera was introduced by Precision Optical Industry Co. – now called Canon Inc. and considered a world leader in cameras and office equipment.


Canon PowerShot SX540 Specifications

I’m talking about the PowerShot SX540 HS for novices or anyone looking for a versatile camera that’s easy to use and carry. For just $ 299.99, it does everything except brew coffee.

Let’s start with a CMOS sensor (for the old folks, that’s where the film went) and a blazing 20.3 megapixel (That’s a lot. And the more you have, up to a point, the better your footage gets. crisp and clear).

Now check out this: This crazy little camera sports an incredible 50x optical zoom. With the push of a button, you can switch from a 4.3mm wide-angle view to a powerful 215mm telephoto lens. It’s great for stargazing or spying on your friends and family.

But since you’re counting acorns on trees in the next county, your photos might look a bit shaky, so Canon has built in a vibration reduction system right into the lens.

With a wide ISO selection from 80 to 3200, you can take pictures in low light conditions without ever needing a tripod. ISO is photo lingo for the light your sensor needs to take a photo. The higher the ISO, the less light you need and 3200 makes you practically a night shooter. Well, twilight anyway.

There is not enough space for all the many features, but here is a partial summary:

Ultra-fast autofocus, wireless Wi-Fi for sharing with your friends, a full 3 inch viewer, automatic modes for blur and monochrome poster effects, continuous shooting up to 6 frames per second, fisheye effects mode, a high-speed super-shutter, and much more.

And of course, the PowerShot SX540 HS also makes great videos.

Nikon Coolpix B500 Digital Camera (Black)

Nikon Coolpix B500 Digital Camera (Black)

Nikon Coolpix B500 Digital Camera (Black)

Nikon

amazon.com

$ 296.95


As a company, Nikon predates Canon, celebrating its 100th “anniversary” in 2017. For decades, these corporate giants have fought for the title of Japan’s premier camera maker.

Fun fact: In the United States, “Nikon” appears at the top of every camera. In Japan, they get an extra “k”, as in “Nikkon” (pronounced Neekone).

Either way, the Coolpix B500 is a great camera, and for the same low price as the Canon.

Nikon Coolpix B500 Specifications

At 16 megapixels, the B500’s CMOS image sensor is slightly less impressive than its rival Canon. But this is hardly serious. Unless you’re shooting barn-sized photos, 16mp will be fine for you. And you will save more space on your computer.

The B500 features a 40x optical zoom lens with superb anti-shake function, super-fast autofocus, built-in flash, 3-inch viewing monitor, remote control remote and Wi-Fi for sharing.

And like the Canon, the B500 makes great videos.

Sony DSCH300 / B

Sony DSCH300 / B Digital Camera (Black)

Sony DSCH300 / B Digital Camera (Black)

Sony

amazon.com

$ 198.00


Everyone knows Sony, the Japanese electronics giant. But did you know he was named Sonny Bono? I’m joking. Sony was not named after Sonny Bono.


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Scene Through the Lens | July 12, 2021 http://canonprinterhelpdesk.com/scene-through-the-lens-july-12-2021/ http://canonprinterhelpdesk.com/scene-through-the-lens-july-12-2021/#respond Mon, 12 Jul 2021 11:00:14 +0000 http://canonprinterhelpdesk.com/scene-through-the-lens-july-12-2021/ This week was the anniversary (the number falls somewhere between coral and ruby ​​on the gift list) of my walking into the alabaster tower on North Broad Street, passing under the blue glass globe in the lobby, and taking the elevator to the fifth floor newsroom on my first day as an Inquirer staff photographer. […]]]>

This week was the anniversary (the number falls somewhere between coral and ruby ​​on the gift list) of my walking into the alabaster tower on North Broad Street, passing under the blue glass globe in the lobby, and taking the elevator to the fifth floor newsroom on my first day as an Inquirer staff photographer.

Coincidentally, this week is also the ninth anniversary of the newspaper leaving that home of 87 years to move into offices on the third floor of the former Strawbridge & Clothier department store at 8th and Market Streets. The previous home in the eighteen-story Beaux-Arts style skyscraper is under renovations to become the new headquarters of the Philadelphia Police Department.

So, I’m doing some looking back.

That week I also received a Domke camera bag (known just a few years earlier as the Philadelphia Inquirer Bag) with two Nikon F-3 cameras, a 24mm, 85mm, 180mm and 300mm lens, and a Vivitar 283 flash unit. And a “brick” of 20 rolls of 36 exposure 35mm Kodak Tri-X black and white film. The negatives would be developed in a high volume Kodak industrial film processor, and printed by us in a large communal darkroom (fondly remembered by all who worked and conducted long conversations in them).

Along the way I also exposed rolls of 35mm Kodachrome 64 when doing color photo essays for our Sunday Magazine, and in the mid-90s, when the newspaper built a new printing plant with color presses (since sold), we switched to color negative film that was scanned and converted to digital files.

In my final trifecta of coincidences, this week also saw me stepping into the 21st century, camera-wise by watching YouTube tutorials for the brand new Nikon Z6 mirrorless cameras I just received. (Sorry no unboxing videos. Keep moving, nothing to see here .)

The Nikon F3s served me for almost 20 years. They were later replaced by Nikon F4s and just before I switched to digital DSLRs (around the time of the 2000 GOP National Convention in Philadelphia), I added a Nikon F100, which is still my all-time favorite 35mm film camera.

This got me thinking of how – like everything else in newspapers – has changed over the years I’ve been taking pictures. In high school, I used a medium format 2-1 / 4 TLR Yashica Mat-124G (for the yearbook) and a Asahi Pentax Spotmatic 35mm SLR (for sports in the school paper). By the time I was working at my first real newspaper, I was using a Nikkormat FTn. The older photographers there had made the transition from 4×5 Speed ​​Graphics – like Arthur “Weegee” Fellig used in New York in the 30s and ’40s. So while I never used one on assignment, I did learn from them how to load and develop the individual sheet film holders (and later, working on the Inquirer Magazine, I did use one a few times in the studio for cover photos).

Coming full circle, a few months ago during a photo department staff Zoom meeting, we learned that most of our younger photographers had little to no experience with analog film photography. Or cameras without light meters. Or ones that required eye-hand coordination to focus.

So Danese Kenon, our Managing Editor for Visuals, started a staff project to have each of us take turns shooting for one week, with the same 35mm mechanical camera with manual exposure and focus (a Nikon FM, belonging to our Deputy Director Frank Wiese) using just one roll of B&W film and one lens (50mm f / 1.8).

We expect to have a story when our analog adventure comes to an end. I will link to it in this space when that happens, but here is a quick peak at the first two frames I made. I have driven by – and marveled at – a large tree for years that went down in a storm and was never removed. On my first day with the B&W camera I had an assignment nearby, so this time as I drove by, I stopped. I looked at the texture of the tree, it’s sun-bleached limbs, and thought about how I’d never stopped before because to take a picture for the newspaper it would need people in it. But that never happened.

So I took two photos with the film camera. With my regular DSLR I might take a few pictures from one angle, move or change lenses, look at the preview screen, try a difference composition. But using film forces you to be more deliberate. Just the two frames: one close up, and one looser.

Afterwards, sitting in my car, I looked up and saw a family walking up to the tree, and suddenly they started climbing on it. Call it serendipity. Or the photo gods looking down and smiling on the practitioner of an almost obsolete craft. But, mixing metaphors here, I was able to have my analog “cake” and a digital moment. And eat it too, with a nice moment or two for the newspaper.

Since 1998, a black-and-white photo has appeared every Monday in staff photographer Tom Gralish’s “Scene Through the Lens” photo column in The Inquirer’s local news section. Here are the most recent, in color:

»SEE MORE: Archived columns and Twenty years of a photo column


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Security is security: CIOs must unify the physical and the virtual http://canonprinterhelpdesk.com/security-is-security-cios-must-unify-the-physical-and-the-virtual/ http://canonprinterhelpdesk.com/security-is-security-cios-must-unify-the-physical-and-the-virtual/#respond Fri, 09 Jul 2021 14:11:00 +0000 http://canonprinterhelpdesk.com/security-is-security-cios-must-unify-the-physical-and-the-virtual/ Organizations often rely on different teams for physical security and cybersecurity, but increasingly organizations are turning to CIOs for overall security leadership and advice. “You need someone at the top who has all the security,” said Anthony Leather, co-founder and director of Westlands Advisory, which advises organizations on complex business and security issues. “There is […]]]>

Organizations often rely on different teams for physical security and cybersecurity, but increasingly organizations are turning to CIOs for overall security leadership and advice.

“You need someone at the top who has all the security,” said Anthony Leather, co-founder and director of Westlands Advisory, which advises organizations on complex business and security issues. “There is no longer a disconnect between physical security and cybersecurity. ”

In 2020, 52% of organizations had a combination of cybersecurity, physical security, and business continuity converged into one team. Benefits included:

● Align security and risk management with business objectives
● Advance physical and technological integration and security operations centers
● Improve efficiency
● Reduce costs

Yet less than 25% of organizations have merged their physics and cybersecurity departments, according to an ASIS study. In contrast, 42% of IT and security teams have developed partnerships, according to a Cisco study.

Hard to find
Aligning physical security and cybersecurity becomes increasingly important as the two disciplines merge. For example, physical security is embracing IP cameras and can do a lot more with analytics or machine learning, Leather said.

“Traditionally, reviewing images is a very laborious process,” he said.

It is also difficult to determine when the cameras are offline or unusable. Additionally, sharing images with law enforcement or other external organizations can be time consuming and expensive, as they often need to be reformatted.

As a result, some basic elements of computing are gaining ground. For example, cloud-based smart cameras with automatically updated firmware eliminate manual fixes and upgrades, a time-consuming and error-prone practice.

Additionally, digital access control solutions allow organizations to change permissions on the fly based on changing roles, responsibilities, or employee status.

For example, UK company Crediton Dairy replaced its old network video recording system with a wireless smart camera solution. The cameras’ motion search capabilities helped the dairy recover insurance money it would otherwise have lost when a delivery truck destroyed property, according to IT manager Benjamin Evans.

The dairy also wanted to protect workers and guests from damage, and its safety system ensured that everyone complied with guidelines regarding the use of personal protective equipment.

Check it out
Another example of physical security and cybersecurity merging is exemplified by the Miami-Dade Public Library System. It replaced network video recorders (NVRs) with cloud-based smart cameras. In addition to storing the images directly on the cameras and eliminating the need for NVRs (a decision that made camera deployment and ongoing maintenance so much simpler that the two-person IT team deployed the cameras without hiring a company outdoor), the images are easily shareable.

When a library was vandalized, the IT team used a motion search tool to quickly isolate the incident and export the footage to share with law enforcement.

A dashboard shows whether cameras are offline and allows IT staff to bring them back online before images run out.

Put together
Pooling the knowledge of physical security professionals with the expertise of networking and cybersecurity specialists creates an even stronger and more versatile team. Combined, the different areas of competence are strengthened.

As the lines between physical security and cybersecurity blur, an executive role should take responsibility for the organization’s overall security strategy. It makes sense for the CIO to have this oversight to ensure that security is at the center of the organization’s technological future.

With a visionary CIO at the helm, equally vital physical and cybersecurity teams can partner with an organizational vision where protecting people, places and things is more valuable than ever. In addition to the original charter to protect lives, property and data, these combined forces now have the mission and the capacity to create new opportunities for growth and profit, for their business and for themselves.

Secure every part of your business with intelligent technology from Cisco Meraki.

Copyright © 2021 IDG Communications, Inc.


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The Panasonic Lumix G85: the best inexpensive video camera? http://canonprinterhelpdesk.com/the-panasonic-lumix-g85-the-best-inexpensive-video-camera/ http://canonprinterhelpdesk.com/the-panasonic-lumix-g85-the-best-inexpensive-video-camera/#respond Thu, 08 Jul 2021 21:07:45 +0000 http://canonprinterhelpdesk.com/the-panasonic-lumix-g85-the-best-inexpensive-video-camera/ I’ve been a longtime Panasonic Lumix shooter, and while it may seem like Micro Four Thirds may be a standard in its twilight, there are still plenty of great deals to be had for low-budget filmmakers: witness the Panasonic Lumix G85. Filmmaker Nigel Barros sings the praises of the camera on his high-end Lumix GH4. […]]]>

I’ve been a longtime Panasonic Lumix shooter, and while it may seem like Micro Four Thirds may be a standard in its twilight, there are still plenty of great deals to be had for low-budget filmmakers: witness the Panasonic Lumix G85.

Filmmaker Nigel Barros sings the praises of the camera on his high-end Lumix GH4. While you just lose a bit of cropping factor (2.2x vs. 2x on a GH4) and there’s no headphone jack to monitor audio, the low-end camera adds an incredibly useful feature: image stabilization based on a sensor.

As someone coming from an unstabilized Panasonic GH3 which has been my video mainstay for the past few years, being able to shoot clips without the need for a gimbal or tripod has been a revelation. I can travel much lighter than before, as Barros also points out. As a bonus, Olympus lenses, which are usually not stabilized because this company has always gone the body route, now gain stabilization with this camera. There are stellar lenses on the Olympus side that allow for bokehlicious videos, like the M.Zuiko Digital ED 75mm f / 1.8 lens, still one of my all-time favorite lenses for any system.

There is also something to be said about the waterproofing and construction of the top models, but as Barros says, the G85 is quite well built with a grip that is as deep as the GH series cameras. I can personally attest to the weatherproofness of the G85. My son blew up the camera with a hose the other day, and it still works perfectly fine.

But to Barros’ point on a newbie filmmaker who loves this camera, I would add that even experienced filmmakers with older gear will love this camera. For me, I needed something that shot 4K videos, but only occasionally, like in all other respects, was happy with the GH3, as I suspect many people using this generation of cameras. This camera gives me slightly better image quality, much better autofocus (I finally have eye detection in one of my Micro Four Thirds bodies), and records some great videos to boot. I certainly hope the controls hold up a bit better than the GH3 as well, as service from Panasonic is a nightmare.

What do you think of the Panasonic G85? Are there better cameras for budding filmmakers? Leave your thoughts in the comments below.


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Announcing an Innovative New Collection of VTech® Kidi Tech Electronics | national news http://canonprinterhelpdesk.com/announcing-an-innovative-new-collection-of-vtech-kidi-tech-electronics-national-news/ http://canonprinterhelpdesk.com/announcing-an-innovative-new-collection-of-vtech-kidi-tech-electronics-national-news/#respond Wed, 07 Jul 2021 13:03:00 +0000 http://canonprinterhelpdesk.com/announcing-an-innovative-new-collection-of-vtech-kidi-tech-electronics-national-news/ CHICAGO, July 7, 2021 / PRNewswire / – VTech®, a global leader in children’s electronics and a pioneer in the children’s wearable technology category, today announced its Kidi Tech 2021 collection. VTech continues to be at the forefront of the innovation with its new collection, offering children the trendy technological features they want in devices […]]]>

CHICAGO, July 7, 2021 / PRNewswire / – VTech®, a global leader in children’s electronics and a pioneer in the children’s wearable technology category, today announced its Kidi Tech 2021 collection. VTech continues to be at the forefront of the innovation with its new collection, offering children the trendy technological features they want in devices suitable for children and their age.

“Our success lies in taking inspiration from adult technology trends and developing safe devices that support the way children play,” said Andy Keimach, President, VTech Electronics North America. “Our Kidi Tech line includes the coolest, age-appropriate tech toys.”

Following the success of its KidiZoom® Smartwatch series, the best-selling connected watch for children in the last three years *, VTech launches the KidiZoom® DX3 smartwatch with a new stylish and durable design, dual cameras for selfies, photos and videos and an LED that doubles as a flash and flashlight. Adults can share the photos and videos at their discretion by uploading them to a computer using the included micro-USB cable. The KidiZoom Smartwatch DX3 is a kid-friendly smartwatch that doesn’t compromise on innovative features such as the ability to play two-player games and send preset messages to their friends just by scanning a code on the DX3. from their friend (sold separately). The watch also comes preloaded with tons of apps, including over 60 new customizable daily activity reminders from “OK to wake up” to “Time to go to bed” to help keep things going. time at home and on the go, plus eight games, motion tracking activities, and a voice recorder.

the KidiZoom® PrintCam ™ lets kids create instant black and white prints of photos taken with this exciting new digital camera. Using economical thermal paper, kids can also print games, design and print their own greeting cards, play money, comics and more. There’s a flip-up lens for selfies and three games to play too. Photos and videos can also be downloaded via the included USB cable.

KidiBuzz ™ 3 is a kid-friendly smart device with the adult tech features kids are looking for, offering 3D screen effects, a new magnifying lens for up-close photos and a new KidiCom Chat ™ messaging app with video sharing. KidiCom Chat lets kids connect with parent-approved contacts to send texts, photos, and video clips over Wi-Fi with other KidiBuzz ™ devices and iPhone or Android smartphones. KidiBuzz 3 also lets kids add live face filters and frames to photos and video clips, play over 40 interactive learning games that teach math, science, and spelling, and explore child-friendly websites. Plus, they can charge and play their favorite music and movies for on-the-go entertainment. With parental controls to set daily time limits, KidiBuzz 3 keeps kids engaged and parents comfortable.

These new innovative Kidi Tech electronic devices, for ages 4 and up, will be available this fall. For more information on VTech toys, visit www.vtechkids.com.

*Source: The NPD Group / Retail Tracking Service, sales in US dollars, January-December 2018-2020

About VTech®

VTech is a global leader in age and developmentally appropriate e-learning products for children. As a pioneer in the category of learning toys, VTech develops high quality innovative educational products that enrich children’s development and make learning fun. With a rich 40-year history, VTech has not only established itself as a learning authority, but also consistently remains at the forefront of innovation with many award-winning products including prestigious Toy of the Year award winners. (TOTY). The company also offers a wide range of award-winning infant, toddler and preschool products available in 28 different languages ​​around the world, with over 100 new products launched each year. To further strengthen VTech’s position as a learning authority, new products are being developed with essential information from a dedicated team of in-house learning experts.

VTech Electronics North America, LLC is based in Arlington Heights, Illinois. VTech Electronics Limited is headquartered at Hong Kong with worldwide distribution.

For more information on VTech e-learning products, visit www.VTechKids.com, www.facebook.com/VTechtoys on Facebook or follow @VTechToys on Twitter.

Media contact:

Nicole centinaro

Coyne Public Relations

973-588-2000

ncentinaro@coynepr.com

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SOURCE VTech



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This strange “3D Wiggle lens” is the first of its kind http://canonprinterhelpdesk.com/this-strange-3d-wiggle-lens-is-the-first-of-its-kind/ http://canonprinterhelpdesk.com/this-strange-3d-wiggle-lens-is-the-first-of-its-kind/#respond Mon, 05 Jul 2021 20:11:17 +0000 http://canonprinterhelpdesk.com/this-strange-3d-wiggle-lens-is-the-first-of-its-kind/ It is very unlikely that many photographers will have a 3D lens. What is that? And do you really need it? Standing out in the sea of ​​photographers already in attendance can be difficult. Sometimes an original lens can be the answer, and this 3D lens featured by Mathieu Stern in his latest video could […]]]>

It is very unlikely that many photographers will have a 3D lens. What is that? And do you really need it?

Standing out in the sea of ​​photographers already in attendance can be difficult. Sometimes an original lens can be the answer, and this 3D lens featured by Mathieu Stern in his latest video could be just what you’re looking for.

In a nutshell, this lens built by George Mua is a stereoscopic lens designed for digital cameras. If you don’t know what the term stereoscopic means, it’s the process by which multiple photographs of the same object are taken from slightly different angles and then viewed together. This effect creates an impression of depth and gives a 3D look to the image. Stern’s video begins by telling the story of this particular technology where you might be surprised to learn the age of this type of photography. There are plenty of sample images featured in the video, which should let your creativity run wild and help you decide if you think a lens like this is really worth adding to. your camera bag.

I can definitely see customers and social media followers loving the effect a stereoscopic lens creates and the resulting images are popular on people’s feeds. In my opinion, any type of specialized lens should always be used in moderation, although I can personally see the benefits of having such a lens when you want to create something a little different.

Would you use any of these lenses? We would love to hear your thoughts in the comments below.


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The Nikon Z fc is the mirrorless camera for 35mm film enthusiasts – Robb Report http://canonprinterhelpdesk.com/the-nikon-z-fc-is-the-mirrorless-camera-for-35mm-film-enthusiasts-robb-report/ http://canonprinterhelpdesk.com/the-nikon-z-fc-is-the-mirrorless-camera-for-35mm-film-enthusiasts-robb-report/#respond Sun, 04 Jul 2021 13:06:51 +0000 http://canonprinterhelpdesk.com/the-nikon-z-fc-is-the-mirrorless-camera-for-35mm-film-enthusiasts-robb-report/ From the outside, the new Nikon Z fc looks like a camera from the past. But everything beneath its retro-inspired exterior is entirely 2021. The latest model from the Japanese camera maker is aimed specifically at fans of 35mm film photography. And while it might look like something you might find around the neck of […]]]>

From the outside, the new Nikon Z fc looks like a camera from the past. But everything beneath its retro-inspired exterior is entirely 2021.

The latest model from the Japanese camera maker is aimed specifically at fans of 35mm film photography. And while it might look like something you might find around the neck of an old-school photojournalist, this compact camera is anything but stuck in the past.

Nikon z fc

Nikon

The look of the Z fc is specifically inspired by one of Nikon’s most beloved models, the FM2 SLR, which was introduced in the early 1980s. Like the titanium version of this camera, the new model combines a body compact silver with a black leather handle. Silver and black may be the classic combo, but if you want something a little bit there, the camera will eventually be available in a variety of different textured grip colors including beige, pink. and teal blue.

However, the Z fc doesn’t just look like an old camera. He feels and handles like one too, but in the best way. The top of the camera features a number of sculpted aluminum dials for settings such as shutter speed, aperture, and ISO. The back of the camera also has a vintage-style circular eyecup around the viewfinder.

Nikon z fc

Nikon z fc

Nikon

The Z fc is the second in the company’s Z series of APS-C (DX) mirrorless cameras and has many of the same features as the first model in the line, the Z50. These include a 20.9 megapixel image sensor, Expeed 6 processors and the brand’s powerful Z-mount. With these features, its 209-point autofocus system can shoot at 11 fps and record 4K videos. There’s also a 2.36 million dot OLED electronic viewfinder, variable-angle touchscreen, SD card slot, USB-C for quick transfers, and an EN-EL-25 battery which should be good for 300. shots per charge. The camera is also compatible with Nikon’s DX 16-50mm f / 3.5-6.3 VR lens and the all-new Z 28mm f / 2.8 (SE) lens.

The Z fc will launch at the end of next month, in silver and black. Only the body itself will cost $ 960, but you can buy it with the 16-50mm lens for $ 1,099.95 and with the 28mm lens for $ 1,199.95. All three options will be available in different color options on the Nikon website at a later date.


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